
ufn44 uln44
Learning Lab Coordinator
Smithsonian Institution
Middle School (13 to 15 years old), High School (16 to 18 years old)
Teacher/Educator
Language Arts And English, Civics, Literature, Cultures, Economics, Social Studies, Geography, Writing, US History, Arts, Other
:
I'm a history-lover, art fan, and bookworm. I taught high school history (U.S. History and World Religions) for ten years in North Carolina, teach currently in Pittsburgh, PA, and am working to help teachers make the most of this new resource!
ufn44 uln44's collections
National Parks
This topical collection focuses on the establishment of a national parks system in the United States. Items in the collection can be used to address the following questions:
-What is the difference between "conservation" and "preservation"? Which view towards nature seems to influence our national parks system today?
-In United States history, there is often a tension between progress and protection, or change and tradition. How is that tension reflected in the story of the national parks system? Consider the economic demands of a growing nation and the impulse to make the natural world accessible to all members of U.S. society.
Tags: Parks, environment, conservation, preservation, Muir, Sierra Club, Roosevelt

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Communes, Counterculture, and the Back to the Land Movement
<p>This collection includes a variety of photographs taken by Lisa Law. Students will examine the photographs and a few artifacts and try to draw conclusions about the ways in which the commune or back-to-the-land movement challenged the norms of traditional United States society in the 1960s and 1970s. A link to an exhibit website is include and allows students to check their assumptions, and students are asked to compare elements of the counterculture with that of mainstream 1960s and 1970s culture. </p><p>Tags: counterculture, commune, hippie, granola, back to nature, communal living, co-op, cooperative, sixties, seventies, Woodstock, change over time, compare, ashram, silent majority</p>

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Shinto Shrines
<p>How do religious rituals and practices reflect the core beliefs of a religion? This collection creates a virtual field trip to a Shinto shrine. Shinto is the indigenous religion of Japan, based on cultivating a positive relationship with the kami, or spirits present in the world. The religion of Shinto is centered around four affirmations. They are:</p><p>-Tradition and the family</p><p>-Love of nature</p><p>-Physical cleanliness</p><p>-Matsuri (festivals and ceremonies in honor of the kami)</p><p>Guiding questions include:</p><p>How are the four affirmations expressed in a visit to a Shinto shrine?</p><p>How does a shrine visit compare to visits to other houses of worship?</p><p>Tags: religion, culture, Japan, Shinto, shrines, analysis, compare contrast</p>

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Evaluating America's First System of Government
<p>What kind of government best suited the needs of the rebelling colonists? In this learner resource, students will learn about the Articles of Confederation and determine if they should be remembered positively or negatively. What were the strengths of the Articles? What were the weaknesses that led to the Constitutional Convention, and the writing of a new form of government, our current Constitution?</p><p>tags: articles of confederation, whiskey rebellion, northwest ordinance, declaration of independence</p>

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Civil Disobedience
<p>This is a topical collection on the concept of civil disobedience. Users are invited to explore the theme of civil disobedience through texts from Sophocles, Shelley, and Thoreau and a variety of images. </p><p>Questions to consider:</p><p>-Does civil disobedience pose a threat to society?</p><p>-What examples of civil disobedience are portrayed here? What are some other examples?</p><p>-What is the role of civil disobedience in today's society?</p><p>-Some people prefer the phrase "passive resistance" to "civil disobedience." Compare and contrast these two terms.</p><p>-How does one measure the success of an act of civil disobedience? Policy change? Public influence?</p><p>-What role does violence play in civil disobedience?</p><p>Tags: King, Gandhi, protest, Birmingham, Greensboro, suffrage, Boston Tea Party, Antigone, Masque of Anarchy, Tambo, nun, Randolph, civil rights, Mexican-American War, Goldman</p>

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I Am a Man--We Are Human
This collection traces how a powerful phrase and its variations have been adopted by different voices in United States history.
Questions to consider:
-How is the phrase (and/or design of the original poster) used? How do the changes and adaptations it has undergone reflect different time periods and issues in United States history?
-Why has the phrase "I am a Man" had such staying power? Alternately, why has "We Are Human" been adopted?
-How do the above phrases reflect or reject concepts like "separateness," "personal identity," or "inclusion"?
-Why do you think many artists are drawn to the phrase and design? Do you think the artists expect viewers to recognize the influence of the original work? Why or why not?
-Why is the verb underlined? How would it change if another word were emphasized?
-What other examples could be included in this collection? This collection focuses primarily on visual interpretations of the phrase. Can you think of literary or pop culture examples?
Tags: Ernest Withers, Dread Scott, Ferguson, Abolition, Sojourner Truth, Memphis, sanitation workers, immigration reform, refugee crisis, Hank Willis Thomas, protest, sign, placard, broadside, civil rights

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The Emancipation Proclamation
<p>How did the writing of the Emancipation Proclamation reflect the political tensions of the time? This collection reviews the writing, impact, and legacy of the Emancipation Proclamation through videos, informational texts, and art. Students can work through the lesson independently and their understanding of the Emancipation Proclamation will be assessed via quiz questions. Students will be able to determine the short-term and long-term impacts of the Emancipation Proclamation.</p>

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Evolution of an Artist: William H. Johnson
<p>The clippings, paintings, and other items here will all help you develop an understanding of William H. Johnson's life and growth as an artist. First, read the biography in the first resource. Then, try to order the remaining collection items from earliest to latest, using clues from the informational text and the style and subject of each work. Once finished, review the progression you have created. How would you describe the evolution of Johnson's art? Can you connect changes in his art to world or personal events?</p><p>tags: Harlem, Federal Art Project, sorting, folk art, African-American, painter</p>

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WWI Propaganda
<p><u></u>This student activity includes a variety of types of propaganda related to World War I. The United States government took great action when it came to World War I—they helped organize workers, recruit military members, and regulate the economy so that American could have a successful impact on the war. The Committee of Public Information formed by George Creel and other propaganda-producers used advertising techniques from businesses to make appeals to the average citizen and encourage them to make a difference. This assignment will ask you to connect each piece of propaganda to one of four major goals of the U.S. government during the war and to analyze a few specific pieces for author, audience, purpose, and even the medium/form. </p><p>Essential questions include:</p><ul><li>What are the four main goals of the government during World War I?</li><li>Why and how did propaganda creators target specific audiences with their messages?</li><li>What are the effects of changing the medium or form of propaganda on how it might be received?</li></ul><p>Tags: World War I, WWI, selective service, draft, liberty bonds, propaganda, music, Uncle Sam, persuasive writing, cause effect</p>

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Pennants, Pins, Paintings & Posters: Artifacts of Political Protest
A mixed bag of artifacts of political and social protest movements in United States history. This collection can serve as a source of inspiration for students creating their own protest posters around a cause they believe in. The collection begins with a video by KQED Art School describing the characteristics of political art and a formula for making it.

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Teaching about the Chicano Movement
<p>This collection gathers resources and artifacts pertaining to the Chicano Movement of the post-WWII era. The following paragraphs, from the Educating Change website, briefly define the movement:</p><p>The "Chicano Movement" has been used by historians to describe a moment of ethnic empowerment and protest among Americans of Mexican descent beginning in the 1960s. "Chicano" had long existed as a pejorative term among young Mexican Americans prior to this period. By the 1960s, however, young Mexican Americans embraced the label, reinscribing it with notions of pride in ones' Mexican heritage and defiance against institutions and individuals who practiced or condoned discrimination against Mexicans.</p><p>The "movement" or movimiento was really a convergence of multiple movements that historians have broken down into at least four components: [1] A youth movement represented in the struggle against discrimination in schools and the anti-war movement; [2] the farmworkers movement; [3] the movement for political empowerment, most notably in the formation of La Raza Unida Party; and [4] the struggle for control and ownership over "homelands" in the US Southwest (<a href="http://www.brown.edu/Research/Coachella/chicano.html">http://www.brown.edu/Research/Coachella/chicano.ht...</a>). We will add an additional component of [5] creating art and music to reflect and voice cultural pride. </p><p>Students will review the collection here and identify five items that connect to one of the components listed above. They will then create their own collection that acts as a digital exhibit, teaching others about the Chicano Movement. This assignment is described in further detail on the last resource in this collection.</p><p>This is a work-in-progress based on the digitized materials within the Smithsonian Learning Lab's collection--it is not meant to be wholly definitive or authoritative.<br /></p>

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Sacred Texts
<p>This is a collection of teaching resources about sacred texts used in a variety of religions. Judaism, Christianity, and Islam are all featured in many artifacts, but there are also some examples from Hinduism, Buddhism, and Daoism. Ideas for teaching and questions are located throughout the collection on the notebook tab. </p><p>Some overall guiding questions to consider using with your students might be:</p><p>-Are the texts treated as revelations? Are they inerrant? You may want to define these words with your students and ask them to research the answers. </p><p>-How do different religions treat their texts? Are there special objects or rituals used in conjunction with the texts?</p><p>-Why was it important for religious texts to be written down? How can the form of a text change who has access to the religion's teachings?</p><p>-What kinds of decorations are used in and on the texts? Why do you think that is?</p><p>Tags: Christianity, Jesus, Bible, Judaism, Torah, Old Testament, Islam, Quran, Muhammad, Hindu, Buddha, Daoism, China, India, religion, belief, philosophy, compare contrast</p>

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